The mechanical acts of beating, pouring, piercing, folding and mixing create works that elevate staple ingredients from the mundane to the aesthetic. My practice combines performance, printmaking, and documentation, challenging established and predefined artistic processes to create undefined outcomes. By exploiting domestic products as material, industrial quantities as measurement, and instructions as process, I explore the limits of media and document its physical transformation.

Examining the blurring of the line between recipe and instruction, product and remnant, I question the extent to which an ingredient becomes a material. This recontextualisation strips back its relatability during the transitory period of the prescribed process, before reverting back to its original form. It is during this temporal state that the work is spontaneously documented, and the outcome is achieved.